Showing posts with label Novella. Show all posts
Showing posts with label Novella. Show all posts

Tuesday, January 5, 2016

Day Two...First Kisses For the First of the Year




Day Two of our launch into the new year with Celtic heroes and sexytimes!

All week long, I'm sharing excerpts from the first kiss scenes in CAPTURED BY A CELTIC WARRIOR, the upcoming anthology with Eliza Knight, Vonda Sinclair, Jennifer Haymore, and me!



http://amzn.to/1msWnCB


All are alpha heroes (three Scotsmen and an Irishman), all are on a mission, and all do something pretty bad for (hopefully) good reasons: they abduct the heroine. 

That can’t be good…. Except it is, very good! 

Did I mention there’s a legendary dagger that runs through all the stories? 

Here, today, is the first kiss from Eliza Knight’s story:
TAKEN BY THE HIGHLANDER.

Enjoy!






…“Ye have my word, that is enough,” the brute warrior said.


Frustration streaked an angry red path through Rose’s veins. “Your word means nothing.” She stood, hands fisted at her sides.


Montgomery, too, stood, anger slicing over his features. “My word means everything.”


She didn’t back down. Even with the warrior standing nearly a foot taller than her, easily twice as broad, she wasn’t going to show her fear. “It means nothing to me.”


He grimaced, his teeth flashing in the moonlight. “Then ye’re a fool.”

“I am no more a fool than the man who abducts a woman and thinks she should trust him,” she retorted.


He cocked his head, eyes narrowing as he studied her. “Ye have a point.”


That startled her. He agreed? She faltered, words getting caught in her throat. Not the reaction she was expecting. At all. “I want to see my son. Now.”


He swiped a frustrated hand over his face. “I cannot comply with your wish.”


“Where is he? How far is he? Take me to him.”


Montgomery shook his head. “’Tis impossible. For safety, we must keep the two of ye separate until we reach Kildrummy.”


“Safety from whom?” Her voice was growing in octaves. She’d be raving mad in a moment; she could feel the anger burning through her chest.


“There is much ye dinna understand. And I dinna expect ye to understand everything, being a woman.”


What? Her mouth fell agape. Thoroughly insulted, even if she hadn’t anticipated anything less from the man.


Nevertheless, that was the last straw. Rose’s patience had a limit and her temper broke free from its bonds. She flew forward, hands balled and raised. She wailed at him, but he caught each of her fisted palms, wrapping his arms around her, pinning her elbows to her ribs, and when she tried to kick him, he pinned her legs between his thick, muscled thighs.


“Stop this!” he hissed.


Rose shook and heaved, glaring up at him. She spewed venom; called him names she’d heard her men shout while practicing in the fields. One of which, she knew was particularly vulgar. And then, suddenly, his lips were crushed against hers. Silencing her with warm, firm, velvet. She was not prepared for the strength of her own body’s reaction. The shivers that raced over her flesh. The pounding of her heart. The tightening of her wayward nipples. The trembling of her hands and the shaking of her knees. The intensity in which she pressed her lips back.


Montgomery’s hands slid to her shoulders, her arms no longer pinned. He cupped her cheeks, dipped his head to the side and kissed her deeper.


What was happening? Why was he kissing her?


Frissons of unexpected pleasure fired along her nerves. Her entire body trembled with both fear and excitement.


Why did she like his kiss? This was wrong. Incredibly so.


He was her captor. Had stolen her, and her son, away from the safety of their castle, and she was letting him kiss her?


Nay. She could not.


Rose jerked back and slapped him hard on the cheek, her teeth bared. “Dinna do that ever again, ye jackanapes.”


Montgomery touched the place she’d struck him and cleared his throat. “’Twas the only way to get ye to shut up.”


With that, the blasted warrior lifted her up and tossed her over his shoulder.




Uh-oh, right??? Or rather….yay!!!

You can pre-order right now at the special price of 99 cents; it releases Feb 16th

Celtic heroes…scorching sexytimes…what are you waiting for??

Wednesday, April 10, 2013

The Minstrel in Disguise trick

One of my favorite parts of writing big, plotty stories is figuring out how the characters are going to circumvent the system or beat the odds to accomplish their goals.  

Often that means luring in the bad guy, escaping from an attack, or gaining access to a guarded castle.   

If you wanted to break into a guarded fortress, how would you do it?  


Sure you could send some poor soul to crawl up the privy chute, but can we all agree that's a last resort for this romance-novel invasion?  

How about the usual methods?  You could bribe someone, or maybe even seduce a door warden or a gardener or some other castle personage.   

Oh, but the time it would take.  The bribing, the seducing, the kissing, the convincing . . . .  

It'll never work.  You need in now. 

How about the minstrel disguise method?  Now we're onto something.  You just saunter up with your lute and juggling balls and offer to tell some tales, play some music, and share some news from far off places in exchange for room and board and a few coins.

Voila, we're in.

 Tricky.   Effective.  Like the ancient Trojan horse, your desires become the vehicle for your own demise.

Is there anything more romantic than that?  In a sad, tragic way.

Once inside, you could do any number of dastardly things: kidnapping: poisoning: spying: making a nice, juicy treasonous offer to the lord, one he'd never have listened to otherwise (at least not in public).  

Or you could just wander casually over to sally port door and open it, letting your armed comrades, who've been waiting in the woods outside, pour into the darkened castle and take it over.

Or you could do what Aodh Mac Con does CLAIMING HER.  He's not masquerading as a minstrel per sé.  And the heroine definitely does not open the gates out of any desire or greed, but rather a sense of honor and a lack of options.  

Still, it all unravels pretty quickly.   Good fun ensues.  

How about you?  How would you gain access to an enemy castle?  What tricks are up your sleeve?

(The image above is from http://digitalkey.biz/projects/siege-at-carrickfergus-castle/.  The site says: "
Siege! is a mobile app that uses interactive role play to bring the the 1315-16 Bruce Siege of Carrickfergus Castle to life. Produced in collaboration with NIEA, and funded by the Arts Council’s Creative Industries Innovations Fund,  the game uses interactive role play to explore Anglo-Norman military strategy and defensive architecture (see gallery). The app will contain atmospheric audio and video medieval re-enactments, and will use GPS to embed the game’s narrative in the grounds of Carrickfergus Castle to create an engaging and immersive learning experience.")


Thursday, October 18, 2012

PDQ: Pushing Them Into It



Note to Self: I am writing a novella.  A super-sexy novella.

Repeat, I am writing a novella.  A super-sexy novella.

This requires The Sexy to get rolling pretty darn quick.  PDQ.  And I'm surprised by how challenging this has been.

I love writing about passion and desire.  From flirtation to consummation, and every permutation in between, I love it all.  My stories pivot on electric sensual tension, which often means denied sensual attraction and the slow build of irresistible forces.

Partly that's because the time period demands restraint, or a solid explanation for exceptions.  Also, my heroes and heroines tend to be, um, let's say "so fiercely at odds that it sometimes involves ropes" and be done with it.

But mostly the restraint is there because it takes time to build the respect / affection / psychological attraction that are essential to truly scorching physical attraction.

And yet, I am committed to a super-sexy novella.  Time is not my friend.

Something's gotta give.

It's the slow build.  :)

So today, I am going to strip away much of the the oh-so-pretty words and the elegant set-ups and push my hero and heroine into It.  Or darn close to It.  PDQ.